Ana is a woman who has a love affair with her best friend's ex-husband, in a film about love, friendship, loneliness, fear, guilt, and the world of women.

A woman and her questionable veterinarian search across dimensions to kill God in order to save Blanche the dog.

A woman fleeing domestic violence finds refuge in a community of boondockers.

A woman fleeing domestic violence finds refuge in a community of boondockers.

From the personal archives of journalist and filmmaker dream hampton, this visual ode to the golden era of hip-hop provides intimate access to some of rap’s greatest minds, including dream herself.

From the personal archives of journalist and filmmaker dream hampton, this visual ode to the golden era of hip-hop provides intimate access to some of rap’s greatest minds, including dream herself.

Beautiful wife and expectant mother Lola Winters (Sherilyn Allen) seems to have it all—the big house, a dashing husband Leo Winters (Jamall Johnson), and a thriving restaurant business. But Lola’s seemingly perfect life is interrupted when a ghost from the past Tori (LeToya Luckett) suddenly shows up at her doorstep in search of her husband Leo, after having gone missing for 5 years and being declared dead. Tensions rise and lives are turned upside down as Tori’s unexpected return leaves everyone questioning her motives and why she hasn’t gone to the police. Determined to start a new life, Tori demands that the Winters pay her hundreds of thousands of dollars, but before leaving town a bombshell revelation exposes even more dark and shocking secrets.

Po Yuan Juan’s It was just a virtual kiss is a game video essay that reimagines a love story unfolding within the world of World of Warcraft. The narrative transforms the virtual realm into a canvas for exploring how players construct and extend their identities, using digital avatars as vessels for intimacy. By venturing beyond the screen, the characters evoke the illusion of tangible connection — touching, embracing, and even kissing— across diverse fantasy incarnations. Employing a blend of machinima and computer-realistic animation, the work challenges traditional perceptions of the body, proposing a new, digitally constructed form of existence. The game world becomes a meeting ground for digital haptic perception and actual bodily movement, effectively blurring the line between the virtual and the real. This immersive exploration prompts several provocative questions: Could alternative forms of embodiment exist beyond our physical limitations? To what extent does media technology overcome the constraints of the human body? Might these digital embodiments inspire a new kind of spirit or emotional connection?